welcome the drummers
the iyawo begins to dance
by his mother's sideIn this third day of our installment of
Chulo and the Iyawó, we held the tambor. The tambor is a celebration of the initiation into Ocha, aka getting santo. The hall began to fill -- what began as droplets slowly turned into a flood. I, in the room with the Iyawó and his family, waited patiently for whatever mishaps to unfold.
The drummers entered the throno room one by one with their instruments in hand, five in number, two women and three men. Once gathered, a powerful voice began to sing. Without any microphone, her voice filled the room, and within an instant the drumming and percussion commenced. Starting slowly, she worked her voice into a fevered song; the drums kept pace with as much force and clarity of sound that she produced from inside.
The tamboleros played as the singing continued. Song after song was performed; each celebrating a different Orisha. Now, you know I have a thing about the overuse of the word
beautiful, but, even I will say that this was one of the most beautiful things that I have seen in some tim -- if not ever. It was to the point that I was holding tears back. With that said, by far the most beautiful moment of the entire opening sequence was that of the shared moments between the Iyawó and his madrina.
As the singing and drumming continued to pervade the emptiness of the apartment, they began to celebrate Yemaya. During the song, both children of Yemaya were touched simultaneously. At first glance, they appeared still, however as the music continued they came alive. The Iyawó stood still and began to shake -- his godmother by his side, gently spinning. The event came to a crescendo when the Yemayas came together, their crowns touching in what was by far one of the most symbolic moments of the afternoon. As his Ojubona looked on, he came to the assistance of the two, gently blowing into their ears and bringing them down from their spiritual encounter. Madrina broke down, pounding the walls, cursing Yemaya as the tears streamed down her face. The Iyawó sat on his pilón, greedily drinking water from his porcelain white cup.
Once the drummers finished presenting to the throno, they moved into the big room. Santero after santero continued to throw themselves to the throno -- the Iyawó throwing himself to them. The music began again, filling the entire apartment and most of the street with beautiful sounds. The guests started to dance, and the tambor heated up. People standing side by side moving in unison to the rhythm of the drums. The vocals continued to soar over the sound of the drums. Again, they played to each santo, beginning with Eleggua. People continued to pass before the Iyawó and the throno as I exited the room.
As I scanned the apartment for faces I knew, I found Andrelaso hanging out by the door. The room was filled with people dancing and he appeared as but a wallflower, or as dominicans would say,
pariguayo. I knew he didn't really want to be there to begin with, but I figured he would warm up and get into it. I was wrong, but hey, I am wrong frequently these days. I continued to wander around looking at the guests as I made my way back to the Iyawó.
Standing in the room, the music sounded as if it was coming closer towards the throno, and it was. Alex, the puerto rican with Chango who's ex-man made the Iyawó's suit and the garments for the santo was coming down with Chango. Before you knew it, Alex threw himself to the throno breathing heavily, Madrina and the Oujbona ran to undress the man, removing his shoes and rolling up his pants to help him into his role of Chango. Once Chango came down, he threw himself to the throno again, and proceeded to throw himself to every Santero in the place, both big and small. He then broke the noise with barbaric grunting, followed by conversation with those in the room. The Iyawó standing in the throno listening looked at me and told me to throw myself to Chango. Thinking nothing of it, I did as was suggested, and went down to the floor. Chango lifted me up, and then intently stared at me from across the room. He approached me and threw off my hat, only to then bite a chunk of hair out of the center of my head. Stunned, Chango continued to tell my Godfather,
Felix, the Great, the Iyawó's Oujbona, that if I don't understand what I'm getting myself into by continuing with santo, that I should stop now while I'm ahead.
I think I'm beginning to understand.
Chango left the room and returned to the tambor. Before anyone knew what was going on, Madrina's Yemaya was coming down, Chango by her side. It was when her Yemaya came down and threw herself to the throno that I really started to feel it. I don't know what it was, but once she got up and looked at the Iyawó, my eyes began to tear
again. You all know that I am not a very emotional person like that, but yo, when I tell you I was done, it was a wrap. I dropped to the ground, and threw myself to Madrina's Yemaya. When I got up, the tears fell.
After, the Iyawó told me that it was while the tamboleros were playing to Ochun.
I don't know anything about that, but what I do know is that her Yemaya sent me into the only emotional mess.
Yemaya spent a good minute in the throno room. She went to the Iyawó's mother and told her that it was because of her that she has the chance to crown her son -- that she loves him as much, if not more than his birth mother does. Yemaya then went to the Iyawó's godmother's children and they threw themselves one by one. It was then that I started to really feel it -- the tears came down and my Godfather came to me to make sure I was doing ok. I told him I was fine, but that didn't stop him from asking thruout the evening.
Chango and Yemaya went back into the area where the guests danced. Chango eventually went away leaving only Yemaya. Looking confused when an unmounted Alex came to pass, Yemaya wondered where Chango went. Bear in mind, Madrina's Yemaya is unable to speak yet, so she's speaking via hand gestures and movements translated by Santeros.
My hip began to vibrate. Andrelaso sent a text message that he left the tambor because he had other engagements -- he failed to say goodbye to the Iyawó or myself. I suppose I should consider myself lucky that I even got a text message at all, but hey, who am I?
The crowd began to become alive again -- Madrina's godmother was coming down with Ochosi. Let me tell you -- she was fighting it. The drumming became more fierce, and Yemaya stood by the Ochosi's side -- it was as if Yemaya was egging Ochosi on -- purposefully taunting him to get him down. The Ochosi danced her way into the room that contained the throno only to stop inches from throwing herself to the ground.
This was to be one of the last moments of incident for the evening. Yemaya went away leaving Madrina unkempt and shaking next to her godmother who was in a similar state. The tamboleros played for the last time to close, and the entire house broke into dance. As people filtered out, the food was served and my belly was again full.
Tonight I shall sleep in the room with the Iyawó. Unable to get into the throno with him, I shall pretend that the heat emanating from the radiator is actually the heat from his body that I have become accustomed to having in my bed with me. Hopefully that muerto will leave me alone this evening, as i really don't want to be up at three again, but hey, who knows... I do like late night snacks.
Eleggua quiere tambor...